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Though the dominant subject in most sketches of “Thirteen Hours” is around Iranian emigrants, for Arash Guitou, a promising young scribe of talent, the challenge begins with the choice of “first person singular” character, writer or narrator.

The world will be seen by a man, a woman, a travesty, an in doubt lesbian or a confirmed gay… and sometimes he reminds us a great French talent, Patrick Modiano. Nevertheless, he also gives a chance to the main pen too. That old hat invisible “third person singular” observer/writer who objectively becomes all eyes and senses to avoid “literal vanities”, just for the sake of “tel quel” of our daily lives with no ornaments.

Iranian literature of third millennium certainly is being increasingly enriched by many young and less young “out-writers”, while the works of many talented “in-writers” have to wait the day of freedom.

Listen to "lonliness" by Arash Guitoo ...   
 

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lolitâye irâni

Sam Vaseghi

‚Iranian Lolita’ is the insolence of the art of ‚photography’ from the perspective of the camera of a teenage girl, who sensually develops the destinies of twenty two women characters on the ‚negative’ of poetry. The alchemy of the psycho-experience of an underage teen is a melange of curiosity and desire: a journey of exploration on the foundations of an emerging character in a magnetic field of sexual attraction, action and reaction to gain the climax of salvation in genuine homosexuality.

ti vassi

ti vâssi

Gil Avaei

When writing the Gazels of the collection “ti vassi” (for you) two types of emotion were leading and motivating me through all the years, of exile, immigration: First the annoyance to live exiled from home, a strong feeling which is the fundament for my nostalgic discourse in life. Second the commitment to investigate the mother tongue, recreating and reviving indigenous terms and traditions of “Gileki”, particularly terms and linguistic elements, which are not more known by the younger generations...

eghvâ

Jean Baudrillard (tr. Àmin Ghàzaei)
- A Collaboration with Nashre Paris

Seduction, in French thinker Baudrillard's apocalyptic discourse, is a power of attraction and fascination capable of subverting mechanical, orgasm-centered sexuality and reality in general.